Grant Writing: writing process thoughts and tea

It is often hard to write about my own work, art I mean. For over three years I have been playing with  in my work. Tea and art have been two parts of a whole for me since reading Kakuzo Okakura’s The Book of Tea. He has a whole chapter how one effected the other and in turn effected history itself. The Boston Tea Party in 1846 was due to the rise in taxes on tea, which was effected by the Opium War which was caused by a feud between the Chinese and British. Over Tea, to be specific they were selling Opium for gold, to then buy tea and …Tea ware.
    What I am getting at is that these two should be together in any way they can. These grants I am writing have provoked a mind block, which got resolved after a few sessions of  tea. While drinking my Feng Huang Shan Gan 2007,I was then stuck with the idea to look up gender equality in tea producing countries. They are almost on par, each one views women as lower than men. This got me thinking that I could work with this.
   My original work from OCAD worked with gender, bodies and identity. As I began to add tea I got further and further away from this. Till recently, my self-portrait is a good identification that I am ready to go back. Although not without some new ideas and skills with tea. 
   I mentioned many times over at Split/Gender (my former art only blog, which was all transferred here) I mentioned making notes on the hues achieved with tea. I started this process and it will be useful for my grant work. The “blue” or “indigo” on my self-portrait was made with berry/hibiscus based infusions. It started out purple and turned this colour. I hope to find a way to preserve this colour in the future but for now I need to work with it. Till next time, Keep Steepin’ on!